Use this function as an indexing function. These titles are not super-imposed on top of the video, but are displayed during playback. Using the more expensive IC chip cassettes gives you some interesting features including saving titles to the cassette's memory. The digital Firewire (IEEE-1394, I-Link) interface is both input and output (as always). This allows the operator to use standard home-type VCRs for source material and most standard televisions to playback the video. The DSR-250 will accept both analog Composite (RCA) and S-Video for input and output. User-bits, alphanumeric coding, can be set to give additional information to the editor or producer. You also chose from FREE-RUN and REC-RUN and DF (drop-frame) and NDF (non-drop-frame) for consistency throughout your production. Set hours, minutes, seconds and frames to best identify individual tapes. The DSR-250's professional features include striping SMPTE time-code. The DSR-250 accepts large and small cassettes and will even record in the consumer format DV. The DVCAM format offers realistic color and contrast quality, multi-generation dubbing capacity, and worldwide compatibility. The technical numbers speak volumes: 8-bit component recording, 5:1 intra-frame compression and 4:1:1 color sampling. And DVCAM locks audio to video for drift-free long duration recording. Using a steeper track pitch, the DVCAM format lays down more information onto the tape frame for frame than the DV consumer format. All this is accomplished without digitally degrading the image. ![]() The SteadyShot system checks for horizontal and vertical movements and corrects them with a small motor hundreds of times per second. Image stabilization comes from the optical system Super SteadyShot. There are a number of lens adapters that will mount directly onto the lens.With the stability of shoulder mounting the camera, all but the most accomplished camera operator will generate a certain amount of subtle hand-shake. Conveniently, the lens accepts 58 mm screw on filters and accessories. The DSR-250 has a dedicated, non-detachable zoom lens that has a 6mm wide angle. The custom settings may be recalled at a later time.ฤก2 x Optical Zoom Lens with Super SteadyShot Now you can match multiple cameras for various color requirements. And a high signal to noise ratio means that the camera will operate effectively in low light conditions also.The DSR-250 allows you to set custom picture looks by adjusting the different parameters within the Digital Signal Processor. The chips' high technology result in low smear levels giving the camera great bright scene image quality. Sony has equipped the DSR-250 with 3 1/3 inch CCDs containing 380,000 pixels each. Other great functions of the DSR-250 include time/date stamp, built-in transition modes, still image capture, 2 channels of built-in balanced audio, and a PowerTap DC output for on-camera lighting. The professional-quality DXF-801 viewfinder has 600 lines of horizontal resolution, and a 200,000-pixel LCD monitor to allows you to compose shots without your eye upon the viewfinder. The DSR-250 accepts analog composite (RCA) and S-Video for input and output, allowing operators to use standard home-type VCRs for source material, but also uses the digital Firewire (IEEE-1394, I-Link) for the modern age. The DSR-250's 12x zoom lens has Sony's Super SteadyShot that accepts 58mm filters, and there's many adapters on the market to mount directly to it for wider angle or telephoto work. ![]() They're also somewhat adjustable by the user for camera-to-camera repeatability and better control. ![]() Sony's equipped the DSR-250 with three 1/3" 380,000-pixel CCD sensors, which give it great bright and low light quality. The DSR-250 can record in the professional DVCAM format or the consumer DV format, and it accepts both large and small cassettes for a maximum recording time greater than 3 hours. With the stability of its shoulder mount design, light weight, and long list of innovative and convenience features, it is no wonder the Sony DSR-250 Camcorder has become the prototypical event-video production camera for shooters big and small.
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